above: THE PROWLER, written by Dalton Trumbo and directed by Joesph Losey, both of whom would face the Blacklist
In the late forties and early fifties, film noir was more impacted by the Communist witch hunts in Hollywood than any other genre. I take a look at the reasons why, and take note of some lives affected (and, in some cases, ruined) by the Blacklist.
To check out "Noirlisted" you can head over to Criminal Element.

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